Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, 15 November 2011

New comic book examines gays' fate in Nazi Europe

By Paul Canning

French graphic artists Michel Dufranne and Milorad Vicanovic-Maza with Christian Lerolle have produced the first comic book about the gay experience of the Holocaust.

It tells the story of "discreet, cheerful and romantic" designer and advertising art teacher, Andreas from the early 1930s in Berlin.

Life then is OK if you are gay - but the "brown plague" gradually invades the streets, and the city's institutions. Laws are enacted. Andreas experiences violence. He is sent to prison, then a concentration camp.

Surviving the abuse, post-war does not bring more rest. Taken prisoner again, a new fight begins for his rehabilitation. This fight, which seems lost in advance, will be won by betraying his identity. Like many other gays, he disguises his history, saying he was a "red triangle" (political prisoner). He marries a lesbian and together they raise the child she was forced to have with a Nazi officer.

The pink triangle ('Triangle rose') was the symbol in the Nazi concentration camps used to mark gay men. The deportation of homosexuals by the Nazis was part of a logic of repression of "undesirables" (antisocial, criminal, etc.).

The memory of the deportation of homosexuals is fairly recent. On 25 September 2010, a plaque in memory of "victims of Nazi barbarism, deported on grounds of homosexuality" was placed in the Struthof camp (Alsace). Elsewhere, plaques and monuments recall the deportation of homosexuals by the Nazis. These include ones in the cities of Amsterdam, Berlin, Bologna, The Hague, Frankfurt, Cologne, Anchorage, Sydney, San Francisco and Montevideo.

The last known survivor of the deportations was Rudolf Brazda, who was sent to Buchenwald for almost three years. He died this year at the age of 98 years.

The anti-gay Paragraph 175 law was finally amended in West Germany in 1969, and homosexuality ceased to be a reason for imprisonment, it was finally repealed in 1994 in the reunited Germany. The authors note that the French Article 331 of the Penal Code in the Vichy regime was only deleted in 1982.

In Germany a foundation dedicated to research in the memory of gay people persecuted under the Nazis during the Holocaust has been awarded more than $20 million.

The establishment of the Magnus Hirschfeld National Foundation, named after the late founder of the former Institute for Sexual Research, by the Department of Finance, comes after more than three decades of lobbying by volunteers of the Magnus Hirschfeld Society.

Hirschfeld was an openly gay Jewish sexologist driven from Germany with his work burned when the Nazis came to power.

"The foundation comes far too late to compensate the GLBT survivors of the Nazi period, but it will help the research to commemorate their names and fates," Ralf Dose, founder of the Hirschfeld society, told Bay Area Reporter. The establishment of the foundation comes a decade after the first bill regarding its establishment passed the Bundestag in 2001.

Some of the few remaining original works of Hirschfeld will be on display in an exhibit at the Schwules Museum, Berlin, from December 6 through the end of March.

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Saturday, 29 October 2011

Mocking cartoon draws Orthodox ire in Russia

By Paul Canning

Russian gays have upset the Orthodox church with a satirical cartoon. And not for the first time.

Last week I published on how the Northern Russian Arkhangelskaya Oblast [region] had passed a law banning 'gay propaganda' - outlawing support for LGBT human rights, the second region to do so and a move which the Russian Supreme Court has previously allowed. That story was also about the hypocrisy involved, with the former mayor of the capital, Arkhangelsk, Aleksandr Donskoi, saying that many politicians and business people in the city use the services of transsexual prostitutes.

That story was illustrated with the regional coat of arms, which shows the Archangel killing the Devil with a sword.

The cartoon published by GayRussia.ru mocking the ‘gay propaganda’ law reverses this, with the Devil - personifying homophobia - killing the Archangel.

Orthodox homophobes feel themselves insulted by such a “blasphemous, mocking cartoon”. This is the claim of the co-president of the “Narodnyi Sobor” movement, Oleg Kassin, in his letter to Russian General Attorney Yuri Chaika. Kassin wants the website closed down and its owners punished.

Apparently the cartoon “extremely disturbs Christians, humiliates their dignity and insults their feelings”.

The extreme religious nationalists group has used Russian law before to get artists fined. They have an English language website called 'deviant art' which well illustrates their nationalist politics

In 2007 they pushed for scientist Vitaly Ginzburg's prosecution for publicly criticizing the influence of the resurgent Orthodox Church in Russian schools

Fortunately, following previous online attacks which have shut down the website, GayRussia.ru is no longer physically located in Russia, so it can't be shut down by Russian authorities. However its owners are in Russia, so the threat to them is real.

The website has been here before. Another clerical nationalist group previously asked the authorities to investigate a cartoon published on the website picturing an orthodox priest and a neo-Nazi shaking hands.

That cartoon illustrated the sort of crowds which appear at violently anti-gay demonstrations, approved by the authorities in Russia when pro-gay rallies are banned, which call for the death of homosexuals, amongst other things.
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Sunday, 2 October 2011

Video: New musical looks at asylum seeker struggle in America

Source:



Source: Bellevue Reporter

By Garrielle Nomura

Desperation, longing and full musical theater belting rocked the house, as actors performed "Take me America" at Village Theatre opening night, Sept. 14.

The name of the musical was also the the cry for help uttered by seven of the characters in the show, refugees who had come to the U.S. from all over the world, including Algeria, Darfur, China, El Salvador, Haiti and Palestine.

Those seven actors grappled with an added challenge of singing and acting with accents from their character's respective homelands. Whereas Aaron Finley, Dennis Batemen and (a hilarious performance by) Leslie Law, played the U.S. officials who determined whether they would stay or go.

Standout acting included Ben Gonio, who played a Chinese poet fleeing persecution under Communist China. Gonio's dramatic performance was gripping as he recounted atrocities he suffered in prison. On the other hand, performer Diana Huey, who played his wife, sparkled with an impressive vocal range and tenderness in her duets with Gonio.

In many cases, the characters in the musical were fleeing from certain death, such as Malith, a Dinka from Darfur, played by Ekello Harrid Jr.

More immediate than immigration, asylum requires people to prove they are fleeing from harm's way in their homeland.

In reality, this life-and-death situation happens everyday in the U.S.

"Take Me America" writer and lyricist Bill Nabel was inspired by the PBS documentary "Well Founded Fear," where filmmakers Michael Camerini and Shari Robertson enter the closed corridors of the Immigration and Naturalization Services. The film reveals a stark, haunting true story where human rights and American ideals collide with the nearly impossible task of trying to know the truth.

Some refugees seeking asylum lie about their reasons for wanting to come to the U.S.

That was touched on in Nabel's show with the character Jean, a Haitian refugee played by J. Reese. Jean lied about his reasons for seeking asylum, because no one will believe that he is actually a gay man.

This brings up another success of "Take Me America" – it's ability to entertain, while still presenting a serious topic. It's a musical that both excites, and wrenches the heart.

While Jean's story of being discriminated against for his sexual orientation was somber, the song "Not Gay Enough" was upbeat and humorous, depicting the various lengths Jean went to "look the part" for the U.S. bureaucrats, including dressing in drag and throwing glitter.

Finally, the show closed with projections of Lady Liberty over the simple, yet versatile set (a series of file cabinets) as refugees once again cried out the show's signature phrase.

Hearing these desperate cries, to be taken or rescued by America, was a reminder to audience members of their own freedoms in the U.S. As Nabel had hoped, the show redefined conventional notions of the American experience with both poignancy and a powerful delivery.

Take Me America runs now until Nov. 20 at Village Theatre, 303 Front St. N., Issaquah. For more information, go to www.villagetheatre.org or call the box office at 425-392-2202.

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Tuesday, 6 September 2011

Video: 'Sans papiers' life in the East Village, New York



Source: The Local East Village

In the bars and restaurants of the East Village, immigrant workers, many undocumented, toil behind the scenes cooking food, waiting tables, and doing whatever else they can to keep the nightlife abuzz. Felipe Baeza is one of them. He serves food and drinks in a hopping East Village restaurant. For Mr. Baeza, 24, the job was to be a mere stepping stone into an exciting art career, which was to begin three years ago when he graduated with a degree in art from The Cooper Union.

But Mr. Baeza, who as a young boy left Mexico for the United States, doesn’t have a work visa or Social Security number, so he cannot legally work in the U.S. Under current federal law, the jobs he studied to perform are not available to him because of his status.

As Mr. Baeza looks from beyond a bar lined with moist beer bottles and cocktail glasses, he sees his classmates finding success in the art world, at home and abroad. In a word, he is frustrated.

“My options are very limited,” he said. “I couldn’t work in a print shop. I couldn’t even assist an artist.”

Mr. Baeza arrived in Chicago when he was seven, a year after his parents migrated to the U.S. in search of work and an improved life for him and his sister. He quickly learned English and eventually earned a scholarship at the School of Art at The Cooper Union.

Mr. Baeza was relieved and overjoyed to receive the full tuition scholarship. He knew his parents did not have money to send him to college, and federal law barred undocumented immigrants from federal financial aid.

By his senior year in 2009, he received unwelcome press attention when a Catholic group attacked artwork he had displayed in a public art show at the school. The group had objected to the placement of religious symbols in a sexual context.

Most recently, Mr. Baeza found himself in the news again, though this time he was more willing to embrace the attention. Saying he is “frustrated” and “angry” about not being able to work and advance his career, Mr. Baeza has turned to activism to advance his cause.

Mr. Baeza, along with five others, was arrested in June in Georgia during a demonstration, where he was demanding rights for undocumented immigrants. Since his release, he was been working with the New York State Youth Leadership Council, an organization led by undocumented immigrant youth. The group is currently trying to advance the New York Dream Act, which, if enacted, would potentially extend access to higher education, drivers’ licenses and work authorization to undocumented immigrants in the state.

The Act is being taken up in response to the failed attempt of Congress in 2010 to pass the federal Dream Act, which would have provided work authorization and a path to citizenship for immigrants who, like Felipe, were brought to the U.S. as children and pursued higher education.

Back in the East Village, Mr. Baeza traverses the streets to pick up discount art supplies at a local shop. He stops by his work to pick up his tips, and makes a deposit at the bank.

“I feel like I have all this money, but then I have to pay rent,” he says. He is still frustrated about not being able to work in the art field, but has a new sense of empowerment knowing he is not alone.

Thursday, 11 August 2011

In Scotland, a new play based on gay asylum seeker testimony

By Clare Harris

Around the world the topic of homosexuality remains controversial and divisive. For many, the unrelenting persecution leads them to seek refuge far from home. But too often their struggle has only just begun…

In a first for a Scottish production company, cross-artform group conFAB brings together testimonies of gay male asylum seekers and refugees to create a story of unimaginable adversity and perseverance.

Developed in partnership with Scottish Refugee Council, these opinionated, angry, deeply moving and ultimately inspiring tales bring to light the lives of those caught out by the cruelties of global and sexual politics.

Told with theatrical energy and imagination, ‘Hearts Unspoken’ is a piece of theatre that looks beyond the bureaucracies of the asylum processes and focuses on the human, personal relationships and interactions.

‘Hearts Unspoken’ was created in partnership with Scottish Refugee Council, the leading independent charity providing advice and information for refugees and people seeking asylum in Scotland. The organisation will help stage an after-show discussion on the issues raised in the play on Thursday 8 September.

Hearts Unspoken director Sam Rowe explains:
"These are not only tales of exclusion and persecution, but also incredibly moving accounts of over-coming personal situations for the right to self-expression, to live without fear and, of course, to love."

"In staging this production my motivation isn’t only to raise awareness of LGBT asylum rights. I hope ‘Hearts Unspoken’ will take people beyond the issues, and confront them with the very human heart of these dramatic stories. Stories, I believe, everyone can relate to."
Belinda McElhinney, Arts and Cultural Development Officer for Scottish Refugee Council, who will be chairing the after-show discussion on Thursday 8 September, said:
"Hearts Unspoken’ deserves to be seen. The process of seeking protection is complex and difficult for everyone, and research shows that in the past gay and lesbian people have been subject to homophobia from the agencies who are set up to protect them."

"Since 2010, the Home Office has pledged to improve the way they treat lesbian and gay people in the asylum system, but recent news has shown that they still have no way to track how many cases made on the basis of sexuality are granted or refused. There’s still a lot of work to do to make the system better, and this play gives us a glimpse of what lesbian and gay asylum seekers are up against, both during their claim and as they adjust to life in the UK."
  • Changing House, Tron Theatre, 63 Trongate, Glasgow
  • Performances: 8pm, Wednesday 7 September - Saturday 10 September
  • After show discussion Thursday 8 September

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    Sunday, 7 August 2011

    Photo essay: A Kazakhstan-born gay couple in Rio

    Source: English Russia

    Max and Roman, are citizens of Kazakhstan who have been staying in Brazil for more than eight years. They met nine years ago in a gay club and never separated since then.

    Roman was born in 1978, graduated from the Altai State University and got a degree in journalism. He is very popular in Kazakhstan due to his work on the radio and as a deputy chief editor of ‘TimeOut Almaty’.

    Max was born in 1976 and graduated from the Almaty Polytechnic University. He has a degree in oil and gas field development and operation. He is an oil worker in an international company.  Eight years ago Max was shifted from Kazakhstan to Brazil and Roman followed him.

    In Rio de Janeiro the two have a company of their own with a famous logo.

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    Saturday, 6 August 2011

    Video: In Edinburgh, a new theatre show about gay Iraqi refugees


    ELEGY // Trailer Ed Fringe from Transport on Vimeo.

    Since the invasion of Iraq in 2003, homophobic murders in the country have increased steeply, with reported figures of more than 700 individuals killed.

    Fusing storytelling, music and visual poetry and inspired by real events, Elegy is a moving story of love, loss and exile.

    Directed by Douglas Rintoul (TRANSPORT, Barbican, Dundee Rep, Complicite), performed by Jamie Bradley (Complicte, Kneehigh, Fevered Sleep) and music by award winning composer Raymond Yiu.

    Edinburgh Festival Fringe
    Whitespace
    11 Gayfield Sqaure
    Edinburgh
    EH1 3NT

    Aug 5 - 8, 10 - 15, 17 - 22, 24 - 28.
    20:30 (60mins)
    £10.00 (£7.00)
    Tickets: +44 (0)131 226 0000
    edfringe.com/​whats-on/​theatre/​elegy
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    Sunday, 31 July 2011

    Poetry: Going Pogue

    'Going Pogue'

    By James Schwartz

    Uganda / Iraq / Iran / Michigan.
    Man / Man / Referendum / Under ban.
    The streets are red / Throats bled.
    Men of God mock our dead.

    Priests / Preachers / Pastors / Political.
    Queers / Debacle / Death / Ridicule.
    The streets are silent / Mob violent.
    The church is barred / Shamans silent.

    Uganda / Iraq / Iran / Michigan.
    Man / Man / Under ban.
    Republicans going rogue.
    Preachers / Same thing / Going pogue.

    James Schwartz is a poet and slam performer striving for the simplicity of Cavafy mixed with modern gay wordplay and elements. Schwartz's poetry / slam material dialogues of GLBTQ issues and affirmations of gay (night) life and love. He was born 2.19.78 and raised in the Old Order Amish community in SW MI.
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    Sunday, 19 June 2011

    Competition: 100 images of migration

    By Emilie Yerby

    You may already have heard about “100 Images of Migration”. This competition is being run by the Migration Museum Project in conjunction with the Guardian Newspaper.

    We want to ensure that as many people as possible get the chance to enter the competition – particularly young people, and people with a strong connection to migration, including current refugees and asylum seekers in the UK.

    We are inviting entrants to submit an ‘Image of Migration’. All kinds of images are welcome – from photos and paintings to collages, to any other kind of visual depiction.

    The definition of “migration” is as broad as possible – your picture may be something you or a family member brought to the UK, an image from a migration journey; or it might be something completely public – from border agency buildings to, say, bank notes printed on Huguenot Portal family paper. Your images can be historic or contemporary; the migration they evoke can be voluntary or forced.

    You are asked to write a short explanation of what your image means to you. We don’t mind how long – from a few words to a paragraph. What’s important is that your words, and your image, tell a story of migration.

    For example, we received this entry from Tim Smith:
    “A woman born in Britain holds the only two possessions her Polish mother brought with her when she arrived in this country shortly after the end of the Second World War. They are her Polish bible, and a photograph of her holding the bible on the farm in Germany to which she was deported to work during the War. She never returned to Poland. I like this picture as it is indicative of the few things that many migrants are able to carry with them on the often difficult journeys that they are forced into making: their culture and their memories.”
    You are invited to upload your images to the competition, either via the Guardian, or upload via the Migration Museum Project website.
    • ALL ENTRIES MUST BE SUBMITTED BY FRIDAY – 15 JULY 2011. 
    The judging panel will be: Barbara Roche, former Minister for Immigration, Kwame Kwei-Armah, actor and playwright, Afua Hirsch, the Guardian legal correspondent, and Danny Sriskandarajah, director of the Royal Commonwealth Society. A selection of winning entries will feature in the Guardian Weekend magazine.
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    Friday, 20 May 2011

    ‘Being gay in India is about disclosure, not morality’

    Source: Sunday Pioneer

    Sunil Gupta discusses his photo-book Queer and tells Shana Maria Verghis how gay issues in India and US differ, the latest developments on Section 377 and that it is still hard to find a place to hang out with his tribe in Delhi

    On July 2, 2009, a provision in Section 377 of the Indian Penal Code which criminalised sexual acts of adults in private, was struck down. The verdict was that it violated the Right to Equality, Protection of Life and Liberty. Photographer Sunil Gupta, who also works with the queer collective Nigah, explained that, “We recently went to the Supreme Court again, because many petitions were filed against the judgment by religious and extremist groups. But now there is a recess for the summer break.”

    In collaboration with Vadhera Art Gallery, Gupta brought out collections of various photo-documentaries he shot over the years in a book called Queer. This provides glimpses into gay communities in India, US and Europe, among whom he has lived and worked.

    Gupta had moved to US to study in the 60s, when the country was in flux of the Civil Rights Movements, feminism and Gay Pride marches. A mood he said he feels in India now, where he returned to settle in 2005. He told us, “It is like I’m reliving my youth.”

    But it never has been a walkover for LGBT’s of the world. Least of all in US, despite Barack Obama’s support of the Matthew Shepherd Act, adopted as an amendment in 2009. Matthew Shepard was a 21-year-old, who in 1998, was tortured, tied to a fence and left to die, after he told two men, who offered him a lift, that he was gay. Later in... in on his way to the red-carpet Oscar function, where he was awarded for his role as US’ first openly gay politician in Milk, Sean Penn had faced wrath of homophobic protestors.

    Sunday, 15 May 2011

    In UK, new theatre project about gay refugee lives

    By Paul Canning

    Two Scottish based theatre workers are producing a new theatre project about gay male refugees and asylum seekers.

    Sam Rowe, a director and writer, and Rachel Jury, who runs an arts company call conFAB, say that the play provisionally titled 'Hearts Unspoken' is to have it's initial run in Glasgow at The Tron Theatre 7-10 September.
    "We have both worked with asylum seekers and refugees before, and care a lot about the way people are treated both in the U.K. and around the world," they say.
    It is being produced in partnership with the Scottish Refugee Council, UK Refugee Council and The Tron Theatre.


    The work will be a documentary based on interviews with gay male refugees and asylum seekers. Rowe is looking now at interviewing more people. If you would like to be interviewed or to find out more about the project contact Sam on rowesam@gmail.com or 07846 602966.


    Sam has started a blog to document the progress of the project.

    Tuesday, 3 May 2011

    Video: Love, Against Homophobia



    By Musa Okwonga

    About a year ago, a schoolfriend (Giles Hayter) and I formed The King's Will, with the idea that Giles - an acclaimed painter, producer, composer and mathematician - would set my poetry to his music. (Since what we were doing didn't sound like much else out there at the time, we called our genre of music "poetronica".) We decided to tackle themes that moved us most in our professional and personal lives - anything from climate change and homophobia to being trapped in a job we hated - and thought that, since the project was a conceptual one, we should work with animators to bring each track out in full visual detail.

    "Love, Against Homophobia", one of our first videos - directed by the genius Jae Hwang - actually began life as a poem I'd written about eighteen months before, on returning from a holiday in Amsterdam to read of the rape and murder of a gay rights activist, the South African lesbian Eudy Simelane. My parents hailed from Uganda, where the levels of homophobia are currently toxic, and I have long been aware that life there as a gay or bisexual man (the latter of which I am) would have been incalculably harder. Simelane's violent death brought that home to me on a visceral level, and I wrote this piece in anguish and solidarity.

    Over a year later, when we formed The King's Will, Giles saw this piece and had me recite it a capella, with all the defiance that had gone into its creation. He then built an ambient backdrop for my vocal, which in its closing bars expanded into something like a declaration of war on bigotry. The music was Giles' hallmark: deceptively simple, and therefore both powerful and enduring. I was immediately sold on this, and our task then was to find the right artist to bring it to visual life.

    We placed an advertisement online, offering payment for the work, and we were fortunate enough to hear from Jae Hwang. Jae's exceptional talent, it turned out, was surpassed only by his modesty. He shared with us some initial thoughts on the project, about how he wanted to have the voice booming from a set of speakers as the song developed. We loved his ideas, and so left him to it, excited to see what he would produce.

    Needless to say, when we saw the results a few months later, we were astonished. Jae had produced, in my view, a timeless piece of work. For years, I had hoped to produce a piece of art that was a powerful opponent to the countless anti-gay songs that are churned out by cruel or ignorant musicians the world over, and now I believed that Giles, Jae and I had worked to create one: one which could be a source of strength to lesbian, gay, bisexual and transgender people the world over. We hope that you enjoy it as much as we enjoyed making it.

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    Sunday, 1 May 2011

    Video: In Spain, art project captures lives of LGBT refugees

    Testimonious de Rachel
    Source: ToxicLesbian.org

    Trash & Tension is an artistic and activist project deploying collaborative methods and created by Toxic Lesbian. It is centred on the causes of violence surrounding groups that continue to suffer from various forms of socio-underrepresentation, discrimination, and violence to this very day on the basis of their gender identity and sexual orientation.

    In Spain and many other countries, these people are not granted the same level of protection that female victims of gender-based violence and other vulnerable minorities receive.

    The project shall unfold in a series of events as a work in progress. Each event will spread its content via two platforms: first, in-person encounters with the participation of audience members and special guests and second, virtual distribution online of the content - either live or as follow-ups - by means of the various social networks of Toxic Lesbian and its partner organisations (RQTR, Merhaba, and Queeramnesty).

    This event will open up a framework for dialogue on today's reality for people in sub-Saharan Africa who do not fit into the socially mandated binary categories and heterosexual definitions of gender identity and sexual orientation. Two refugees will share their first-hand experiences of persecution and an activist volunteering in Europe as part of a mainstream human rights organization will contribute perspectives from his work on this issue.
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    Tuesday, 18 January 2011

    Video: The two faces of Jamaican gay life

    Jamaica Star cartoon

    By Paul Canning

    Recent LGBT flavoured stories from Jamaica have shown two sides to that country's attitude to gays.

    The tabloid Jamaica Star recently focused on gay prostitutes in its usual sarcastic and expose-style(e).

    Illustrated with a cartoon (right) which wouldn't have been out of place in the British tabloid the Daily Express maybe twenty years ago, the reporter took herself to a street in New Kingston (the upmarket side of the city) and found "animated and flamboyant gay men .. on the hunt for clients to sell sexual favours."
    "The cross-dressing men, who frequent a specific avenue, can be seen from as early as 9 p.m., drinking and smoking, exhibiting their acrobatic skills and leaving in posh vehicles"

    "While some were dapperly dressed in jeans pants and T-shirts, the others went all out, and were quite convincing in their attempts to appear feminine. Most were also sporting bleached faces"
    She was told that their prices vary according to the type of service being offered. One explained:
    "Di price depends on weh di man want, some of dem want a gangster ruff up, dat price different from if a man would want a blow or straight [sex] ... like a $1,000, it jus depends ..."
    Clients, as everyone else in the world, include married men.

    Friday, 10 December 2010

    In Venezuela, homophobes deface a mural but LGBT advocates push back

    Source: Blabbeando

    By Andrés Duque



    This comes from our friends at Venezuela's Union Afirmativa and at Spain's Dos Manzanas - and has a somewhat happy ending:

    Earlier in the month, the locality of Chacao in Venezuela celebrated the annual "Cooltura Hip Hop" festival with full support from the Chacao Mayor's Office.  The event drew hip hop artists throughout Venezuela and, as part of the festival, a number of local street graffiti artists were also granted permission to design street murals that promoted a better living environment for the residents of Chacao.

    The concept chosen by graffiti artist Darient was "tolerance" and, with that in mind, she painted the mural pictured above in which a woman of Afro-Venezuelan background asks "Tolerate?" and a pink sign below the image of two men kissing states "Tolerate!".

    Thursday, 9 December 2010

    Iran exile radio gives a voice to Iranian queers

    Source: Gay Middle East

    By Dan Littauer

    Imagine you live in a country that hunts you down and aggressively seeks your death – officially you don’t even exist and any mention is treated with contempt, hate and is a dangerous affair that can cost you and your family life and social standing.

    In Iran this is precisely the reality for hundreds of thousands of people belonging to its diverse LGBT communities.   Publicly they are rarely acknowledged and if at all it is with great contempt and hate – they have no representation whatsoever and nothing is spoken or published about them except religious condemnations and the occasional cases of public executions.

    In Iran for queers to speak means one of two guaranteed outcomes: at best the affair ends in exile and being disowned by your family and community, at worst - death. Either way, any voices other than those sanctioned by the regime and tainted by prejudice and hate are brutally silenced.

    With no voice to call one’s own the void is filled with isolation, fear and agony.

    Having a voice is not only means to call attention to such issues but a space for discussion, self-recognition and affirmation that frees itself from the shackles of hate and prejudice.  But how can Iranian LGBT communities be heard in a country that denies their very existence and actively sends them to their death?

    Surprisingly, in early 2009, one answer came from Farid Haeri Nezhad, the director of  Radio Zamaneh. This station was approached by Saghi Garahaman, the CEO of the Iranian Queer Organization (IRQO) of Toronto, and together IRQO and the Radio embarked on a remarkable project.

    Radio Zamaneh would provide Iranian queers a space and platform from which their voices can be heard.  Furthermore, it would enable gay, lesbians, bi-sexual and trans-gendered people to use this platform to educate the general public about the realities of their lives, as well as issues of human and civil rights. It was called the Queer Section (DegarBash Page). Everyone was acutely aware of the risks that such involvement entails, yet the project went ahead and was launched in late July, 2009.

    Wednesday, 8 December 2010

    Queer Malawi: untold stories

    Source: African Activist

    Months after the imprisonment and subsequent release of Steven Monjeza and Tiwonge Chimbalanga, Gay and Lesbian Memory in Action (GALA) and the Centre for the Development of People (CEDEP) are publishing a groundbreaking book telling the stories of twelve lesbian, gay, bisexual, transgender and intersex (LGBTI) persons in Malawi.
    The accounts in the book portray the joys of love and the heartache of rejection, the dangers posed by homophobia and hatred in communities, and the sublime comfort of close friends and relatives.

    According to the publishers, the twelve life stories are "intended to invoke compassion and support for the rights of African LGBTI people to live freely and harmoniously alongside their heterosexual counterparts in Malawi and beyond her borders".

    The making of the book is fascinating in its own right: Dr Patricia Watson, an expert in oral history practice in South Africa, designed and facilitated oral history workshops in Malawi during which most of the 12 participants' experiences were recounted, recorded and translated into English.

    Watson then worked with the transcripts to compose stories that were as close to the authors’ own words as was grammatically possible.

    Notably, their real names were not used in the book out of fear for their safety.

    The inspiring experiences in Queer Malawi are complemented by striking and intimate photographs of the 12 participants by the renowned and award winning lesbian photographer Zanele Muholi who agreed to do portraits of each of the authors.

    “This book is to be applauded for making the homosexual voices of male and female Malawian nationals audible for all Africans to hear. It is through ordinary peoples’ stories that we are able to reconnect with our shared sense of humanity,” comments Fikile Vilakazi, the director of the Coalition for African Lesbians.
    Zanele Muholi recently published Faces and Phases, a series of black and white portraits commemorating and celebrating the lives of black lesbians.
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    Hate crimes and homophobia in the lives of black lesbian South Africans

    Via African Activist.

    HSRC Press and The Apartheid Museum are launching today a new report, 'The Country We Want to Live in: Hate Crimes and Homophobia in the Lives of Black Lesbian South Africans'.

    The report offers a refreshing perspective on violence perpetrated against black lesbians. Bringing together the voices of a diverse grouping of people, this publication provides a set of positions on issues that will have relevance for stakeholders nationally, continentally and globally.

    The report offers an analysis of the state of affairs concerning lesbian lives in South Africa, but does not it speak on behalf of lesbians. Interspersed in the text are references to the critical literature, news reports, popular articles and statements made by some participants in a roundtable discussion on which it is based that align the issues to ongoing discussions from a humanities-based lens.

    The authors address some of the activism surrounding the campaign to end violence against lesbians, and offer recommendations relevant for ongoing policy and advocacy development. The country we want to live in makes an impassioned plea about citizenship, belonging and social justice, confirming that silence about these issues is not an option.

    The book is also available on Scribd:
    The Country We Want to Live In: Hate crimes and homophobia in the lives of black South African lesbians

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    Friday, 3 December 2010

    British gay arts projects take human rights message to Turkey

    Barbers' Garden 2008: PansiesImage by bill barber via Flickr   
    Source: Pink Paper

    By Joanne Dunning

    Homotopia, Pansy Project, Amnesty International and Lambda Istanbul will team up to plant hundreds of pansies in Istanbul to commemorate all victims of hate crime and persecution.

    Merseyside's LGBT culture festival Homotopia are working with Pansy Project artist Paul Hartfleet and Amnesty International to take their human rights and social justice work to Istanbul, as part of the city's European Capital Of Culture celebrations.

    Homotopia will be producing a series of interventions, organising debates and carrying out research in Istanbul, but the week will culminate with the planting of hundreds of pansies on 2 December, to symbolise the ongoing international struggle for lesbian, gay, bisexual and transgender rights.

    Gary Everett, Artistic Director of Homotopia highlighted the importance of doing this work in Istanbul: "In a country like Turkey, where prominent politicians find it acceptable to call homosexuality an offence and immoral on the TV and radio, and where many LGBT people still don’t feel able to come out or be accepted, this project is an important and a timely reminder of why such work is vital."

    Homotopia hope that their work in Turkey will act as a creative intervention against trans and homophobic violence in Turkey and around the world.

    Jessica Hand HM Consul-General to Istanbul will plant the first pansy to commemorate all victims of hate crime and persecution. She said: “Protecting the rights of minority groups, wherever they may be, is a shared responsibility for all. Prejudice and discrimination are destructive to societies and individuals."

    The Homotopia Festival ran in Liverpool until the end of November, Gary Everett then took the festival's social justice message to Istanbul.
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    Wednesday, 17 November 2010

    The many faces of an Iranian Cindy Sherman

    Update, 17 November: Tara today received leave to remain.

    Source: guardian.co.uk

    By Tanya Gold

    Tara Inanloo is sitting in a cafe in London. Small, slim and sobbing, she is 21 and an Iranian feminist activist and photographer. Inanloo arrived in Britain in 2008 to study photography at Nottingham Trent University. Inspired by the work of Cindy Sherman, she photographed herself in different disguises – as a Wag, as a bluestocking, as an innocent, as a whore. "I represent the different Iranian women that I discover inside myself," she says. "Disguising is what Iranians grow up with. Disguising is the most important part of my life. I grew up drowning in lies and dishonesty. It is not easy to grow up pretending to be a non-existent creature. You always have to lie. But I have always tried to be an outlaw and cross the boundaries."

    And so some of the photographs are nudes. In one, wearing lipstick and pearls, she looks like Marilyn Monroe. The victim of one patriarchy wanted to look like the victim of another. They are called Illegal Images, a joke with a terrible punchline, because the Iranian secret police were tipped off and they arrived at her father's home, waving the photographs. Meanwhile a fellow feminist activist, who collected Inanloo's work, has been arrested.

    So if you go back home, I ask, do you think will you be arrested? "No," she says simply, "I think I will be executed. I could never imagine a day when I would not be able to go back to Iran. I have just been making artworks that represent my beliefs." So she has applied for asylum. I hope the British government can find space for Tara Inanloo and all the Tara Inanloos within her.

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